Apply to join
Studio Slowcore

Studio Slowcore

a few hundred members

A small publishing business inspired by slow culture, gift economics, and the wordsmith arts. We write deep dives on value flow, livelihood, and reclaiming time and attention.

Apply to joinAbout
Sign in
Powered byDFOSDFOS
Create your spaceDark Forest
We Have Gift-Feeds, Not Free Tiers - SVF Journals

We Have Gift-Feeds, Not Free Tiers - SVF Journals

JULY 21ST, 2026

Danica Swanson
Danica Swanson@slowcore
46

Today I'd like to say a bit about why Studio Slowcore calls our all-access feeds gift-feeds rather than free tiers to distinguish them from the keyholders-only groups.

If we describe the feeds as "free," that's typically interpreted in market terms. One implication of that framing is that our feeds have no value and somehow magically carry no costs, or at least no costs that should concern the reader.

Framing them as "free," then, would not be a neutral act. "Free" means the structural costs of production and coordination stay hidden by default, which in turn makes it harder to raise good-faith questions about reciprocity obligations.

Our gift-feeds both deliver gift-economic value and carry production/coordination costs. Calling them gift-feeds is helpful for us because it offers more space to make both the gift-value and the costs visible.

We're also thinking about how we might handle commerce in ways that don't extract "surplus" value from the gift-flows and siphon it away from artists and other value-creators without their informed consent. As David Bollier explains, Lewis Hyde points out that it's the gift-flows that generate the increase in value in the first place:

"Lewis Hyde explains how the circulation of gifts generates increases of value: “Capital earns profit and the sale of a commodity turns a profit, but gifts that remain gifts do not earn profit, they give increase. The distinction lies in what we might call the vector of the increase: in gift exchange, the increase stays in motion and follows the object, while in commodity exchange it stays behind as profit.” So treating the value generated by gift economies objectifies the surplus as money, removes it from circulation for private control, and in effect renders it dead (except as a future source for capital)."

~ David Bollier, from Commoning and Changemaking

How, I wonder, should Studio Slowcore think about that distinction between "give increase" and "earn profit" in the context of our hybrid gift + market endeavor?

I don't think it means that setting prices for some of our work or keeping some kinds of value behind a paywall removes all possibility of "give increase" in the gift sense that Bollier details above.

What else might it mean?

Food for thought.


Slowcore Value Flow Journals is a series of exploratory musings and behind-the-scenes process notes. I post them here in the SVF gift-feed whenever they want to be shared.

Here are the rest of the entries in the SVF Journals series thus far. As with everything in our Slowcore Dark Forest, we welcome new comments on previous posts anytime, and will respond no matter how long it's been since the last activity.

  • Sustained Attention as Economic Value Flow
  • The Reading Economy
  • "Free" vs. "Paid" Subscribers?

Quote source: Michael Erard - A Short Manifesto on the Future of Attention

SVF Gift Journals
Danica Swanson
Danica Swanson@slowcore
46
Comment

Latest from Studio Slowcore

Isabella Stewart Gardner Museum - photo by Carol M. Highsmith for the Library of Congress (1980-2006)

Today I've got a more modern (but still public domain) work of art to share: a Library of Congress photo of the Isabella Stewart Gardner Museum in Boston, MA. I've never been to Boston and had no...

Oct 1900

Now Available: What Is Anticareerism? + The Anticareerist Reading Room (Keyholders Group)

Today I'm releasing "What Is Anticareerism?" — a short explainer piece I wrote in 2019. It's the first of 10 curated personal essays from my now-retired project The Anticareerist, which was probably...

Aug 1340

Veduta della Facciata della Basilica di S. Giovanni Laterano (Main façade of the San Giovanni in Laterano) - etching print by Giovanni Battista Piranesi (1775)

If you love great artistry in architecture, you can't possibly go wrong with Piranesi. There's so much to marvel over that it's hard to even know where to start with his body of work. I started with...

Aug 1001

Northwest Porch of St. Mark's, Venice - architectural drawing by John Ruskin (1877)

"It was Ruskin’s eye, his powers of argument and superb drawings that led Venetians away from the idea of renovating St Mark’s so that it would look brand new towards a subtle restoration retaining...

Aug 910

Sibylle - sculpture by Fernand Khnopff (1894)

The Belgian painter and sculptor Fernand Khnopff, described by writer Marie-Madeleine Renauld as a master of symbolism who "...took his inspiration from Pre-Raphaelite aesthetics" and "left an...

Jul 610

The Attention-and-Time-Costs of Sourcing

In today's post for the Public Domain Art Portal (PDAP), I mentioned that I'd had trouble finding reliable sources for a piece. This isn't unusual, and it concerns me because the...

Jun 2821

Onboarding Studio Slowcore's First Paid Keyholder

Editor's Note: We plan to share this post more widely, but we're posting it in our own Dark Forest first, just in case any unforeseen changes need to be made beforehand. Suggestions are welcome....

Jun 2467

Introducing the Public Domain Art Appreciators Keyholder Group

Welcome to the Dark Forest Operating System (DFOS) space for Studio Slowcore, a creative production studio that caters to sustained-attention interests. We write about slow culture, public domain...

Jun 1750

Welcome to the Dark Forest of the Sloth People

Welcome to the Studio Slowcore Dark Forest space! We're excited that DFOS recently opened its doors to the public. If you're just joining us: Studio Slowcore is a creative production studio that...

Jun 460
Apply to join